Відео

I own a S5ii. The autofocus is unreliable. The camera refuses to autofocus about 20% of the time. The M43 body’s contrast DFD autofocus is more reliable than the S5ii PDAF. What autofocus do you recommend? Mask On Nurse Marty (Ret)

I really like to use adapted lenses on my gh4, 5 and s5 :) i dont want to achive any film look... just what this particular lens give to me. :) I dont follow the cult of film :)

Kodak Ektachrome or fujicolor film for example. which vintage lens did they used ? 7artisans cinema lens give the yellowish color approaching style

Its missing the vintage color which is probably the most important aspect of making something look vintage. Only film can truly recreate old school textures and colors

Is a lut?

This is the kind of photo im looking forward to!

S1H support would be great!

Where can I buy it?

Can you answer that lumix s5iix will get pdaf in fhd, same as on the s9?

Thanks for answering my question about the battery grip Sean! Like @superzero4250 mentioned below, the main function most of us miss is not the power capabilities of the grip, it's the grip itself. Like when taking video or stills handheld in portrait mode, not being forced to raise your arm above your head in an awkward position is big. Not to mention access to the other buttons. The ergonomics alone are worth it and also adds accessibility to folks with certain disabilities. Just a thought. Again thank you for taking your time to answer all our questions and all that you and the Lumix team do. Take care.

It will be a great disappointment if the XLR2 is not retrofitted for the S5iix.

I wish someday Panasonic can add 10-bit HEIF picture format. Especially when Real Time LUTs is one of the major selling points of the new cameras. I'd like to use V-log + Custom Luts to shoot SOOC photos, and then grade them in DaVinci Resolve like videos. But I can only pack it into a 8bit JPG, which can produce bandings or other artifacts with V-log. Photo-dedicated people always say stills photographers don't need log profile since they have RAW. I think it's not true. There're lots of advantages shooting in log. - log gamma has a response closer to human visual perception and film. It maps nearly all the dynamic range stops into the range of displays. So, V-log+custom LUTs is a better SOOC solution than traditional stills gamma which makes you choose between crushed shadow and blown highlight in harsh high DR scenes. - With log gamma, the histogram is more aligned with true RAW histogram, which makes ETTR easier together with zebra (DPR wrote an article specifically about using log or HLG as a workaround of true raw histogram). Photo people might be scared of the higher base ISO number. But it's just an ISO rating number, the actual gain is the same with photo mode if they are both at the 1st or 2nd base ISO, the RAW file is totally not affected actually. The higher rating number is just for leaving more room for highlight. Imagine if we can shoot both a 10-bit v-log HEIF and a ETTRed linear RAW at the same time, how flexible is that? - We can match photos and videos easier. For instance, sometimes you need to insert a photo into the video, or you need to shoot some stop motion pictures. - DaVinci is a better color grading tool than LR. Now it can load 10bit HEIF pictures directly. I don't like Adobe's camera profiles, it always give me a harsh tonal gradation in poor quality artificial lighting conditions. A V-log photo on the other hand, is produced in-camera from RAW with an in-house fine-tuned log profile, which might make use of a more sophisticated profiling method than just simply shooting a color target. Like using SSF data and then tweak it to adapt all bunch of lighting conditions. I hope there could be more bridges connecting photo world and video world. As for color editing, they are all just images, shouldn't be that different. Right now Lumix cameras are almost there, for me, the only missing piece is a higher bit picture format.

🎉

Been using the S9 what a fun camera the pictures right out of camera are amazing. I shoot RAW/Fine. LUTs applied to JPEG and set to 6mp.

G85x? 🥹🥲

Hey guys, as a Lumix user, I'm really rooting for you. You doing a great job! Just some constructive criticism, that is not related to the technical side. Your marketing could be stronger. Some influencers aren't the most popular or charismatic. Also, the production quality needs improvement-better skin tones, lighting, better sound and a more professional look. You're targeting people who care about these details.

Is this available on the gh6?

I wish someday Panasonic can add 10-bit HEIF picture format. I'd like to use V-log + Custom Luts to shoot SOOC photos, and then grade them in DaVinci Resolve like videos. But I can only pack it into a 8bit JPG, which can produce bandings or other artifacts with V-log. People Always say stills photographers don't need log profile since they have raw. I think it's not true. There're lots of advantages shooting in log. - log gamma has a response more aligned with human eye perception and film. It maps nearly all the dynamic range stops into the range of displays. So, V-log+custom LUTs is a better SOOC solution than traditional stills gamma which makes you choose between crushed shadow and blown highlight in harsh high DR scenes. - With log gamma, the histogram is more aligned with true RAW histogram, which makes ETTR easier together with zebra (DPR wrote an article specifically about using log or HLG as a workaround of true raw histogram). Photo people might be scared of the higher base ISO number. But it's just an ISO rating number, the actual gain is the same with photo mode if they are both at the 1st or 2nd base ISO, the RAW file is totally not affected actually. The higher rating number is just for leaving more room for highlight. Imagine if we can shoot a 10-bit HEIF v-log photo, and get a ETTRed linear RAW at the same time, how flexible is it? - We can match photos and videos easier. For instance, you need to insert a photo into the video, or you need to shoot some stop motion pictures. - DaVinci is a better color grading tool than LR. Now it can load 10bit HEIF pictures directly. I don't like Adobe's camera profiles, it always give me a harsh tonality performance in poor quality artificial lighting conditions. A V-log photo on the other hand, is produced with an in-house fine tuned profile, which might make use of some more sophisticated profiling method than just simply shooting a color target. Like using SSF data and then tweak it to adapt all bunch of lighting conditions. I hope there're more bridges connecting photo world and video world. As for color editing, they are all just images, shouldn't be that different. Right now Lumix cameras are almost there, the only missing piece is a higher bit picture format.

Can’t wait to try this 🎉

I'm just glad Sean is happy

8:53 This isn’t accurate. Many of us used a battery grip with the GH4 and GH5. However, we opted for a third-party one costing £40 instead of paying over £300 for the Panasonic version.

make it compatible for the S5 line up already!

Works with which Panasonic cameras?

Hi Sean thank you for your answer on the GH 5S, but I am left with the actual experience that my GH 5S does definitely perform better in low light than the GH6 and since you’re saying the GH7 isn’t much improved over the GH6 there is definitely Room for improvement and I don’t know if that’s some sort of technology like a low light mode that combines multiple smaller photo sites and treat them as one to give a cleaner image, but I think it would be great to have some form of better performing low light camera option. As the technology in the current cameras does not perform as well in low light.

Sigma’s APS-C L-mount lenses force S5IIx (and I believe all other S cameras) to use APS-C zone. But! In that case Hi-Res mode is not available for stills and open gate 6K for video is not available either. E-stabilization also cuts from this APS-C area making it even smaller. It would be great to be able to use Full frame with these lenses like with other manual APS-C lenses from different manufacturers. Especially to use open gate shooting mode with E-stabilization turned on.

Timestamp 8:40 Can GH7 display Gain in both SS and Angle (Angle/dB) 10:50 Can GH7 record opengate ProRes 422 13:30 Difference between GH7 new sensor over G9ii 16:00 New subject detection in GH7 18:55 Compatibility of 32bit float & xlr handle 2 21:35 Comments on S Pro line & lenses in general 25:04 GH7 opengate 60fps 28:35 Arri LogC3 on GH7 32:56 Lenses from Sirui / Saturn Anamorph Set 40:50 Lenses from Sigma / i-series 47:06 Comments on successor of BGH & BSH line 49:47 HFR HDMI output with AF & audio 51:04 Silver trim S9 in NA 51:41 S9 thermal limit & 24fps in MP4lite 53:26 Solutions for ProRes RAW on Davinci Resolve 55:23 BRAW on external recorder 55:38 GH6 1 or 2 channel audio only 56:07 Internal multi exposure 56:44 S9 sales performance & availability 58:58 Firmware update for 10-25mm & 25-50mm PDAF 59:45 DJI focus pro & lidar support GH6 / 25-50mm with lens motor only 1:00:43 feature request for Lumix Lab 1:01:22 GH7 Comments on DR boost & sensor readout speed 1:01:43 S9 Synchro scan for photography 1:04:10 Comments on technical reasons for MFT to excel in video (and photo) 1:09:17 S9 body only color options 1:10:10 GH7 hybrid/crop zoom feature availability 1:11:29 Lens suggestion; revision for 20mm F/1.7 1:12:36 Lumix Lab support for S5ii/x, Lumix Sync support for S9

I've preordered the GH7! Can't wait to do some comparison test with my GH5

Thanks Sean . Lumix Pro Services for years. Great Product

Totally agree with you about the S9 Sean - it’s super FUN to use. Also thanks for the lesson on setting up shutter angle and Open Gate. I’m a video newbie 📷 Hope you feel 100% better soon.

Totally agree with you about the S9 Sean - it’s super FUN to use. Also thanks for the lesson on setting up shutter angle and Open Gate. I’m a video newbie 📷 Hope you feel 100% better soon.

@LumixLive: The S9 may be available, but the GH7 are not yet available. Why are unavailable cameras pushing the G9 II completely out of the Lumix Live broadcast?

Sean, 1.6x de-squeeze setting reminder! Now that you have your own set of three, can you add to the request as well?

Would love to see a macro focus stack in camera with the G9II like the OM-1, even if it's only JPEG output. All serious macro photographers use the OM1 and it would be great to see Lumix thrive in this area.

Another great stream 👍🏻 Please bring the PDAF from the S9 to the S5II with regards to 1080p 50/60/100! Geeky Nerdy Techy found this out. Also, the new subject detection (plane/car) from the GH7 to the G9II and S5II. Thanks

Does the S5 have anamorphic de-squeeze?

Please bring out the S1H mark 2 already.

Beautiful.......

just waiting for my s9 right now haha. watching this to pretend i have one in my hand. thanks for the long stream!

Dope! Need one!

Love it

1.6X anamorphic lens is shown here, but there is no 1.6X desqueeze option in the camera menus. Closest is 1.5X. Need 1.6X option, since now many lenses are 1.6X.

0:00 Stream Start 4:55 Intro 8:08 Battery grip for the GH line? 10:00 Tracking AF + subject detection? 14:14 Speedbooster with the GH7 15:57 Simultaneous external + CFexpress recording? 17:07 XLR2 working with other cameras 18:33 Blackmagic BRAW in LUMIX cameras 19:35 ARRI LogC3 for S5ii(x)? 20:55 GH6 vs GH7 (noise performance) 23:25 Why no dual ISO with GH7 29:07 V-Log vs ARRI Log 34:51 GH7 vs g9ii (AF performance) 36:00 DCC18 dummy battery compatibility 36:53 GH7 punch in maginification, storage capacities 37:17 GH6/7 e-parafocal support 38:30 Cinema DNG, internal ProRes RAW bit depth 39:18 ARRI LogC3 vs colour space transform (CST) 41:34 (XLR2) 3.5mm jack producing 32b float? + mixing inputs 43:32 (GH7) RAW video + proxies with embedded LUT? 47:01 Sirui teaser for the next week 49:01 Outro

Lol, 1.33 & 2.39

So, given that it was "here" in the US 3 months ago... when will it be here in the US?

great video but I think the way it's written is wrong. It should be 2.39:1 instead of 2:39:1

Can the 32bit audio be recorded with any codec or do we need prores? I've red it somewhere but I'm not sure if it is true

idk if yall know, arri sensors do the same simultaneous dual gain architecture too 😬

We prefer CinemaScope, it is also why we do not mind letterbox… 🤔

@LUMIX USA Is there any hope to get 32-bit audio in G9II?

Great session, thanks!